Inhaltsverzeichnis

• Michael Taylor: Douglas Cleverdon – Bookselling in Bristol, 1925–39.
• Brooke Crutchley: Types for Books at Cambridge, 1923–45.
• Vance Gerry: Pochoir: Practical Watercolour Stencilling of Illustrations & Designs for Books &c.
• David Butcher: Pochoir at Curwen – the Artists and their Books.
• Philip Gallo: How Far the Abracadabra.
• Stan Nelson: Cutting a New Music Type.
• Roderick Cave: ›A Restrained but Full-Blooded Eroticism‹ – Letters from John Buckland Wright to Christopher Sandford, 1937–1939.
• Peter Forster: From Mr ›Lawrence‹ to ›Stanley‹; from ›Mr Er-um‹ to ›Peter‹.
• Howard Phipps: A Painter’s Approach to Wood-engraving.
• Elizabeth Harris: Typographic Collections at the Smithsonian.
• Robin Heyeck: Marbling as Book Illustration.
• Tanya Schmoller: Chinese Decorated Papers.
• Christopher Skelton: In the Golden Cockerel’s Footprints.
• Simon Brett: Wood-engraving Then and Now.
• Ward Ritchie: Gloria Stuart – Cinderella at the Type Case.
• Sebastian Carter: Stanley Morison and Jan van Krimpen – a Survey of their Correspondence.
• Richard Kennedy: A Man from the Past.
• David Wishart: The Printing of Mathematics.
• George Mackie: Designing for an Enlightened Publisher.
• John Ryder: Unpublished Illustrations by Charles Mozley for James Joyce’s Ulysses, 1960.
• Ruari McLean: Motif 1–13 (1958–67).
• Tanya Schmoller: The Fancy Paper Company.
• David McKitterick: Edward Bowden’s Bird’s Nest.
• David Chambers: Private Press Books 1987 – a Review.
• Mark Arman: Printing on the Normandy Beach-Head, 1944.