Inhaltsverzeichnis

• Alan Dodson: A Type for All Seasons.
• Peter Allen: Épinal’s Imagerie – The Pochoir Image Factory of France.
• Peter Allen: Les Images d’Épinal – Une Spécialité des Vosges.
• John Dreyfus: The Vine Press, 1957–1963.
• James Mosley: The Caslon Type Foundry in 1902 – Selections from an Album.
• Susan Falkner: Memories of a Ditchling Childhood.
• Peter Foden: John Johnson and the Treyford Type.
• Jerry Kelly: The Merrymount Press, a Centennial Reassessment.
• Roderick Cave: A Cancelled Performance – An Abortive Golden Cockerel Edition Gordon Craig’s Preface to ›A Production‹.
• Maureen Richardson: Paper Makes Money Makes Paper.
• David Bethel: Creating Printer’s Flowers.
• Nicolas Kis and Colin Banks: My Justification.
• Phil Abel: Type, Inking, Impression.
• Alison Smith: John Petts and The Caseg Press, 1937–1951.
• Alan Powers: Architecture and Typography in Denmark.
• Sebastian Carter: A Printer’s Dilemma – Introducing ›A Printer’s Dozen‹.
• Philip Gallo: A Printer’s Dozen.
• George Scurfield: A Stickful of Nonpareil.
• Roderick Cave: Ceremonial Papers fo the Chinese, Part Two.
• J.F. Coakley: The Oxford University Press and Rober Proctor’s Greek Types.
• Mark Arman: Richard Wood and the Talbot Press.
• Richard Emeny: James Guthrie, the Pear Tree Press and Edward Thomas.
• Fiona Ross: The Bengali Types of Vincent Figgins.
• David Chambers: Private Press Books 1992 – a Review.
• Dave Esslemont, John Randle: Book Reviews.
• David Butcher: A Bibliography of the Vine Press.