Inhaltsverzeichnis

• Michael Taylor: Douglas Cleverdon – Bookselling in Bristol, 1925–39.
• Brooke Crutchley: Types for Books at Cambridge, 1923–45.
• Vance Gerry: Pochoir: Practical Watercolour Stencilling of Illustrations & Designs for Books &c.
• David Butcher: Pochoir at Curwen – the Artists and their Books.
• Philip Gallo: How Far the Abracadabra.
• Stan Nelson: Cutting a New Music Type.
• Roderick Cave: ›A Restrained but Full-Blooded Eroticism‹ – Letters from John Buckland Wright to Christopher Sandford, 1937–1939.
• Peter Forster: From Mr ›Lawrence‹ to ›Stanley‹; from ›Mr Er-um‹ to ›Peter‹.
• Howard Phipps: A Painter’s Approach to Wood-engraving.
• Elizabeth Harris: Typographic Collections at the Smithsonian.
• Robin Heyeck: Marbling as Book Illustration.
• Tanya Schmoller: Chinese Decorated Papers.
• Christopher Skelton: In the Golden Cockerel’s Footprints.
• Simon Brett: Wood-engraving Then and Now.
• Ward Ritchie: Gloria Stuart – Cinderella at the Type Case.
• Sebastian Carter: Stanley Morison and Jan van Krimpen – a Survey of their Correspondence.
• Richard Kennedy: A Man from the Past.
• David Wishart: The Printing of Mathematics.
• George Mackie: Designing for an Enlightened Publisher.
• John Ryder: Unpublished Illustrations by Charles Mozley for James Joyce’s Ulysses, 1960.
• Ruari McLean: Motif 1–13 (1958–67).
• Tanya Schmoller: The Fancy Paper Company.
• David McKitterick: Edward Bowden’s Bird’s Nest.
• David Chambers: Private Press Books 1987 – a Review.
• Mark Arman: Printing on the Normandy Beach-Head, 1944.

Inhaltsverzeichnis

• John Randle: The Four Fathers of Richard Kennedy.
• Robert Gibbings: Thoughts on Wood.
• Sue Walker and Martin Andrews: Reminiscences of Albert Cooper.
• A.C. Cooper: Notes on the Printing Methods of the Golden Cockerel Press.
• Robert Gibbings: My Career in Medicine.
• Fiona MacCarthy: Gibbings und Gill: Arcady in Berkshire.
• Robert Gibbings: A Letter to Colette.
• John Dreyfus: Some Correspondence between Robert Gibbings and Thomas Balston.
• Michael Bott: The Robert Gibbings Collection in Reading University Library.
• Michael Botte and Martin Andrews: Robert Gibbings and the University of Reading.
• Sue Walker and Martin Andrews: Robert Gibbings and the ›Willow‹.
• Brooke Crutchley and David McKitterick: Remembering Stanley Morison.
• Shirley Jones: Word and Print at the Red Hen Press.
• Bernard Seward: The Wrington Wharfedale.
• Mark Arman: A Collection of Printers’ Flowers.
• Ward Ritchie, Gloria Stuart and Joseph D’Ambrosio: D’Ambrosio.
• Sebastian Carter: Stanley Morison and Jan van Krimpen – a Survey of their Correspondence.
• Fiona Ross: From Metal Type to Digital Letterforms – a Straightforward Transition for Indian Scripts?
• Jonathan Stephenson: The Printing of the ›Alice‹ Engravings.
• Roderick Cave: The Making of the ›Vigil of Venus‹, Letters from John Buckland Wright to Christopher Sandford, 1937–39.
• Charles Antin: Jan Tschichold and Chinese Woodblock Printing.
• D.W. Riley: The Rylands Private Press Collection.
• Brocard Sewell: Book Review – ›Eric Gill‹ by Fiona MacCarthy.
• David Chambers: Private Press Books 1988 – A Review.
• Patrick Reagh: ›Chrissakes, Dummy!‹

Inhaltsverzeichnis

• Montague Shaw: Berthold Wolpe, 1905–89.
• Olive Cook: The Art of Tirzah Garwood.
• Enid Marx: Autolithography for Book Illustration, 1930–60.
• Michael Taylor: Collecting Autolithographic Illustration.
• Brenda Rawnsley: The Story of School Prints.
• Alan Powers: Simon Verity, Peculiar Printer.
• Gordon Gumn: My Approach to Autolithography.
• Phillida Gill, John Craig, Martin Roth: From Litton Cheney to Irifune – the Story of Reynolds Stone’s Printing Presses.
• John Randle: Rena Gardiner’s Workshop Press.
• John Dreyfus: Gerard Meynell and the Westminster Press.
• Gaylord Schanilec: Farmers.
• Roderick Cave: A Friendship in War and Peace, Further Letters from John Buckland Wright to Christopher Sandford, 1939–48.
• Michael Mitchell: Daylight Jobbery at the Libanus Press.
• Sebastian Carter: Stanley Morison and Jan van Krimpen, A Survey of their Correspondence.
• Brooke Crutchley: From a Cambridge Diary.
• Steven Tuohy: A New Photograph of Edward Prince, Typefounders’ Punchcutter.
• Mark Arman: A Collection of Types.
• Martin Roth: Genteibon: Impressions of Japanese Limited Editions.
• David Wishart: On Hieroglyphic Types – a Postscript.
• Jerry Kelly: The Press of A. Colish.
• John Ryder: Roswitha Quadflieg and the Raamin Press.
• Ward Ritchie: Paris Adventure with François-Louis Schmied.
• Dennis Hall and Ray Hedger: Kenneth Lindley and the Pointing Finger Press.
• J.F. Coakley: Some Syriac Types at Oxford and Cambridge.
• Fiona MacCarthy, Brocard Sewell, Brooke Crutchley: Book Reviews.
• David Chambers: Private Press Books 1989 – a Review.
• Anthony Rota: Charlene Garry, 1932–89.
• Roderick Cave: Thomas Rae – a Modern Scottish Printer, 1928–89.
• Jonathan Stephenson: Lead Addicts Gather in Gold Country.
• David Butcher: Matrix 1–10 – Contents and Index.
• Appendix: The Sales of Matrix 9.

Inhaltsverzeichnis

• Brooke Crutchley: Reynolds Stone and Cambridge.
• John A. Lane: Twentieth-Century Punchcutters.
• Steven Tuohy: Punchcutting by Hand: a View over the Shoulder of Harry Carter.
• John Dreyfus: A Reconstruction of the Lecture given by Emery Walker on 15 November 1888.
• Joseph D’Ambrosio: The Compulsive Printer of Portage, Indiana.
• James Mosley: Illustrations of Typefounding engraved for the ›Description des Arts et Métiers‹ of the Académie Royale des Sciences, Paris, 1694 to c. 1700.
• Marthe Armitage: Patterns from Lino.
• John O’Connor: Notes on Canals, Barges and People.
• Jonathan Stephenson: Setting up a Monotype Workshop.
• Peter Tucker: Three Artists at Haslewood Books.
• Roderick Cave and Jo Torr: With Beam and Beetle: the Bark Cloth of the Pacific.
• Sebastian Carter: Stanley Morison and Jan van Krimpen, a Survey of their Correspondence.
• Jan van Krimpen: On Preparing Designs for Monotype Faces.
• John O’Connor: Twins.
• Desmond Flower: Trifling with Typography.
• Christopher Skelton: Skelton’s Press and the September Press.
• Solveig Stone: Compton Marbling.
• Enid Marx: Christmas Cards Old and New.
• Mark Arman: Some Printers of the 1950s and 60s.
• John Randle: Gwenda Morgan, 1908–1991.
• Jerry Kelly: Joseph Blumenthal, 1897–1990.
• John Bidwell, David Butcher, Sebastian Carter, Roderick Cave, John Dreyfus, John Randle: Book Reviews.
• David Chambers: Private Press Books 1990 – a Review.
• Dennis Hall: The 1990 Fine Press Book Fair.
• Alan Powers: Art Workers’ Revels.

Inhaltsverzeichnis

• William S. Peterson: The Library of Emery Walker.
• Simon Lawrence: The Fleece Press.
• Ronald Blythe: Memories of Paul and John Nash.
• Fiona MacCarthy: Eril Gill and the Mantle of William Morris.
• Gaylord Schanilec: Wrenching Times – Memories of Gregynog.
• Roderick Cave: Ceremonial Papers of the Chinese, Part One.
• A.J. Flavell and Paul W. Nash: ›A Nice Young Man‹ – Viscount Carlow and the Corvinus Press.
• Brooke Crutchley: The Gutenberg Exhibition at Cambridge, 1940.
• John Dreyfus: Dennis Cohen and The Cresset Press.
• L.M. Newman: Harry Gage-Cole, Pressman, 1877–1943.
• John Randle: American Iron Hand Presses.
• James Stourton: Reynolds’ Janitor.
• Sebastian Carter: The Types of Jan van Krimpen.
• John A. Lane: The Origins of Union Pearl.
• Tanya Schmoller: Chiyogami.
• Bernard J. Seward: The Cossar Press.
• Roderick Cave: False Starts and an Altercation of Irishmen.
• Dermot McGuinne: The Colum Cille Irish Type.
• Michael Tayler: The Bibliography of the The Saint Dominic’ Press.
• James Stourton: Fairfax Hall and The Stourton Press.
• David Butcher: The Impossible Takes Longer – Compiling a Bibliography of The Stanbrook Abbey Press.
• David Chambers: Private Press Books 1991 – a Review.
• Roderick Cave: Gogmagog and Morris Cox.
• David Esslemont, Sue Band, John Randle: Book Reviews.
• Walter Partridge: Journeyman.
• Steven Tuohy: Punchcutting by Hand – a Postscript.
• John Randle: Chris Skelton and Alan Hancox.
• Appendices
  • Books Printed by, or for, The Corvinus Press.
  • Addenda to ›Twentieth-Century Punchcutters‹.

Inhaltsverzeichnis

• Alan Dodson: A Type for All Seasons.
• Peter Allen: Épinal’s Imagerie – The Pochoir Image Factory of France.
• Peter Allen: Les Images d’Épinal – Une Spécialité des Vosges.
• John Dreyfus: The Vine Press, 1957–1963.
• James Mosley: The Caslon Type Foundry in 1902 – Selections from an Album.
• Susan Falkner: Memories of a Ditchling Childhood.
• Peter Foden: John Johnson and the Treyford Type.
• Jerry Kelly: The Merrymount Press, a Centennial Reassessment.
• Roderick Cave: A Cancelled Performance – An Abortive Golden Cockerel Edition Gordon Craig’s Preface to ›A Production‹.
• Maureen Richardson: Paper Makes Money Makes Paper.
• David Bethel: Creating Printer’s Flowers.
• Nicolas Kis and Colin Banks: My Justification.
• Phil Abel: Type, Inking, Impression.
• Alison Smith: John Petts and The Caseg Press, 1937–1951.
• Alan Powers: Architecture and Typography in Denmark.
• Sebastian Carter: A Printer’s Dilemma – Introducing ›A Printer’s Dozen‹.
• Philip Gallo: A Printer’s Dozen.
• George Scurfield: A Stickful of Nonpareil.
• Roderick Cave: Ceremonial Papers fo the Chinese, Part Two.
• J.F. Coakley: The Oxford University Press and Rober Proctor’s Greek Types.
• Mark Arman: Richard Wood and the Talbot Press.
• Richard Emeny: James Guthrie, the Pear Tree Press and Edward Thomas.
• Fiona Ross: The Bengali Types of Vincent Figgins.
• David Chambers: Private Press Books 1992 – a Review.
• Dave Esslemont, John Randle: Book Reviews.
• David Butcher: A Bibliography of the Vine Press.

Inhaltsverzeichnis

• Roderick Cave: One Day in Alpignano – a Visit to Alberto Tallone Editore.
• L.M. Newman: Edward Anthony Craig, Wood-engraver.
• Joanna Selborne: Eric Ravilious and The Golden Cockerel Press – Correspondence with Robert Gibbings 1926–29.
• Ruari McLean: Stanely Morison’s Handwriting.
• Mike Hudson: The Cure.
• Johanna Jamieson O.S.B.: Letters to a Ditchling Disciple.
• Bernard Roberts: An Unusual Paper Specimen Book.
• Jean-Claude Peissel: The Jean Berté Process of Watercolour Printing.
• David Elyan: Work that Remained in Progress.
• John Dreyfus: A Remarkable Plaquette from Draeger Frères.
• John Craig: Restoring Ullmer’s Albion.
• J.G. Lubbock: Techniques and Themes.
• Sebastian Carter: Printing for Joe Lubbock.
• David Butcher: A Bibliography of the Books of J.G. Lubbock.
• William S. Peterson: Sydney Cockerell and The Kelmscott Press.
• Peter Foden and Paul W. Nash: The Wet Grass of Bookishness – Hubert J. Foss as Book Designer.
• David Wishart: Hieratic Types.
• Linda Holmes: Margaret Wells and Leon Underwood.
• David Bethel: The Leaf in Printing.
• Tanya Schmoller: Roundel Trouble.
• Patrick Fox: Patterned Papers in the Insel-Bücherei.
• Roderick Cave: A Hard Row to Hoe – Some Letters between James Guthrie and Will Ransom 1920–30.
• Knowler G. Edmonds: Stairway fo a Craft.
• David Chambers: Private Press Books 1993 – a Review.
• John O’Connor, Ruari McLean, C.F. Hultenheim, P.H. Duensing and John Randle: Book Reviews.
• Joanna Selborne: Everyman in a Barn.

Inhaltsverzeichnis

• Robin Kinross: Outsiders Chasing Dreams – Guido Morris and Anthony Froshaug.
• Sebastian Carter: Letters are Things – the Wood-engraved Initials of Eric Gill.
• Fiona MacCarthy: William Morris – the Building of a Book.
• Theo Rehak: Meadows …
• William S. Peterson: Sydney Cockerell and the Kelmscott Press.
• Ruari McLean: Typography and Parsons.
• Wolfgang Tiessen: The Compositor as Publisher.
• Brian Hanscomb: From Croxley Moor to Bodmin Moor.
• Martin Andrews: Sweet Cork of Thee, and the Popular Books of Robert Gibbings.
• Maureen and Brian Richardson: Paper, Papyrus and Pseudo-papyrus.
• Ward Ritchie: Paul Landacre and the Ward Ritchie Press.
• R.W. Chapman: A Portrait of a Press.
• Susan Allix: Artist’s Impressions.
• Henry Morris: Two Birds an One Stone.
• David McKitterick: John Dreyfus – Into Print.
• Richard Emeny: Evelyn Waugh and the Private Press World.
• John Dreyfus: Fernand Baudin and L’Effet Gutenberg.
• Enid Marx: Design and Print in the ’30s.
• Colin Banks: Edward Johnston and Letter Spacing.
• Roderick Cave: The Making of The Mabinogion, 1944–8 – Some Letters between Christopher Sandford, Gwyn Jones and Dorothea Braby.
• Raymond Brown: An Edwardian Printer’s Progress.
• David Chambers: Private Press Books 1994 – a Review.
• Peter Foden, David Esslemont and David Butcher: Book Reviews.
• David Butcher: Index to Matrix 11–15.

Inhaltsverzeichnis

• John Dreyfus: The Hammersmith Hot-house: Private Presses beside the Thames.
• Diana Bloomfield: Engraving for The Periodical.
• John Bell: Afterword: The Periodical.
• Dan Carr: Making a Visible Spirit: Cutting the Regulus Punches by Hand.
• Bridget O’Mallex and Amanda Degener: Cave Paper.
• Michael Johnson: Borders and Swelled Rules Designed by Edward Bawden for the Oxford University Press.
• Vance Gerry: Weather Bird and Disney.
• Ruari McLean: The Wood engravings of Joan Hassall.
• Lottie Hoare: David Kindersley: the Compiling of a Biography.
• Theo Rehak: Ribbons …
• Joanna Selborne: Eric and Tirzah Ravilious and the Golden Cockerel Press.
• Alan Powers: The Paris Exhibition of 1937.
• Albert Skira: The Story of a Book: Illustrations by Henri Matisse for Florilège des Amours de Ronsard.
• Hugh MacPherson: Wood-engraving in Sweden.
• Olive Cook: Peggy Angus and her Wallpapers.
• Roderick Cave: A Cordial Correspondence: Collaboration between Dard Hunter and Will Ransom, 1923–5.
• John Craig: The Exploded Columbian and Hercules.
• Bernard Roberts: Mort de Gutenberg: the Seven Volumes of Book Design and Production, 1958–64.
• Enid Marx: Student Days at the R.C.A.
• David Chambers: Ken Campbell – an Artist’s Text and Image.
• Adela Spindler Roatcap: Cyril W. Beaumont and the Ballets Russes – the Printer at the Sign of the Harlequin’s Bat.
• Ward Ritchie: Merle Armitage.
• David Chambers: Private Press Books 1995 – a Review.
• Simon Lawrence, Paul Hayden Duensing, John Dreyfus and John Randle: Book Reviews.
• Lionel Dakers: A Collector Recollets.
• Typomasochism.

Inhaltsverzeichnis

• John Dreyfus: The Typographical Importance of Maximilien Vox.
• Maureen Richardson: Washi Tour, Japan.
• Richard Årlin: Punch-cutting and Printing Ungut & Stanislaus.
• Olive Cook: The Southwold Columbian.
• Justin Howes: The Compleat Caslon.
• Hal Bishop: Joan Ellis: a Lost Engraver from the Underwood School.
• Barbara Henry: Bowne & Co., Stationers.
• Alan Dodson: Caslon – a Lively Survival.
• Jerry Kelly: The Dust-jacket Designs of Hermann Zapf.
• Paul Luna: Two Oxford Bible Types.
• Theo Rehak: The Ratdolt-Hammer Synthesis.
• Peter Foden: Bishop Fell’s Overlooked Bequest in the OUP Museum.
• Sebastian Carter: The Digitised Golden Cockerel.
• Ruari McLean: Some Typographical Journals, 1900–1939.
• Roderick Cave: Saving Face – the ITC Golden Cockerel Type.
• Mike Hudson: Dada, what did YOU do in the Great War?
• Roderick Cave: Folio, a Cockerel’s Fledgling.
• Adela Spindler Roatcap: El Lissitzky 1914–1924 – ›Prouns‹ to ›Die Kunstismen‹.
• J.F. Coakley: Bruce Rogers and the Harvard University Press – some less-known work.
• David Chambers: Private Press Books 1996 – a Review.
• John Randle: Portraits of Presses.
• Dan Carr, John O’Connor, John Dreyfus, David Butcher, Simon Lawrence, David Esslemont: Book Reviews.
• Lottie Hoare: The Book Collection of Leonard and Dorothy Elmhirst at Dartington Hall.