Inhaltsverzeichnis

• Robert Gibbings: Llewelyn and Theodore.
• Roderick Cave: From Country Cork to Chiswick and Cockerel.
• Vance Gerry: Somd Fond Reminiscences of a Boy Printer at the Castle Press.
• John Dreyfus: The Early Years of the Double Crown Club, 1929–1949.
• Glenn Storhaug: ›Seems to see with his Fingers‹: the Printing of Joyce’s Ulysses.
• Scott Freutel: Patrick Reagh, Printer.
• Miriam MacGregor: Weeds in my Garden.
• Tanya Schmoller: Paper-chasing with Hans.
• Peter Forster: Portrait of the Wood-Engraver in Middle Age.
• Maureen Richardson: Paper as an Art Form.
• Anne Flavell: Private Presses in the John Johnson Collection.
• Enid Marx: John Johnson.
• Robert Kelly: By the Look of it.
• Sebastian Carter: ›And it Sold the Muffins‹, Reflections on Jobbing Printing.
• John Bidwell: Fine Printing in California and England: The Clark Library Collection.
• Michael Hutchins: Memories of T.E. Lawrence, and Gregynog.
• David Wishart: On Hieroglyphic Types.
• Renée I. Weber: Woodcut Pattern Papers, and the Engraved Work of John DePol.
• Brooke Crutchley: ›Congeniality‹ in the Typography of Books.
• Timothy Hawley: The Ballad of Paul Hayden Duensing.
• Roderick Cave: A Collaboration: Letters Between John O’Connor and Christopher Sandford.
• Geoffrey Wakeman: Further Thoughts on the Literature of Letterpress Printing.
• Ruari McLean: ›The Most Underrated of Typographers‹.
• David Chambers: Private Press Book 1985: a Review.
• John Randle: Hans Schmoller’s Contributions to Matrix.
• Philip Gallo: Two Poems.